Difference between revisions of "Kaname Madoka"
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| + | {{Characterbox | ||
| + | |image=Madoka_manga.png | ||
| + | |gender= f | ||
| + | |age= ∞ | ||
| + | |occupation= Goddess | ||
| + | }} | ||
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The '''Law of Cycles''' (円環の理 ''Enkan no Kotowari'') is the rule that magical girls vanish when their Soul Gems turn completely black. | The '''Law of Cycles''' (円環の理 ''Enkan no Kotowari'') is the rule that magical girls vanish when their Soul Gems turn completely black. | ||
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==Story== | ==Story== | ||
| − | In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[ | + | In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[Akemi (Movie)]] biopic. |
| + | |||
| + | Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the new world, using visions granted via artifacts of her old life (such as [[the Ribbon]] and [[Clarisse van Rossum]] at full power) to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her at least thrice, in visions of her own. | ||
| − | + | ==Gallery== | |
| + | <gallery widths="250px" heights="250px"> | ||
| + | file:Madoka_sayaka.jpg | ||
| + | </gallery> | ||
Latest revision as of 05:43, 7 December 2023
| Kaname Madoka | |
|---|---|
 | |
| Name | Kaname Madoka (♀) |
| Age | ∞ |
| Occupation | Goddess |
The Law of Cycles (円環の理 Enkan no Kotowari) is the rule that magical girls vanish when their Soul Gems turn completely black.
In addition to being a law governing the nature of magical girls, she is also a magical girl herself. The Cult of Hope reveres her as their Goddess. To her friends, she is known as Kaname Madoka (鹿目 まどか Kaname Madoka), and in a previous life, was the lead protagonist and title character of Puella Magi Madoka Magica.
Story[edit]
In To the Stars, the earliest references to Madoka are in Kyouko's mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the Akemi (Movie) biopic.
Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the new world, using visions granted via artifacts of her old life (such as the Ribbon and Clarisse van Rossum at full power) to give people advance warnings of preventable tragedies, among other things. Shizuki Ryouko, our protagonist, has met her at least thrice, in visions of her own.
