Kaname Madoka - Revision history

Tanjiro Artorius Wingates Makishima at 12:43, 7 December 2023

2023-12-07T12:43:39Z

← Older revision		Revision as of 05:43, 7 December 2023
Line 3:		Line 3:
	\|gender= f		\|gender= f
	\|age= ∞		\|age= ∞
	\|occupation= ~~Godess~~		\|occupation= Goddess
	}}		}}

Icecream17: refer to movie

2023-08-11T17:03:51Z

refer to movie

← Older revision		Revision as of 10:03, 11 August 2023
Line 11:		Line 11:

	==Story==		==Story==
	In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[~~Akemi\|~~Akemi (Movie)]] biopic.		In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[Akemi (Movie)]] biopic.

	Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the new world, using visions granted via artifacts of her old life (such as [[the Ribbon]] and [[Clarisse van Rossum]] at full power) to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her at least thrice, in visions of her own.		Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the new world, using visions granted via artifacts of her old life (such as [[the Ribbon]] and [[Clarisse van Rossum]] at full power) to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her at least thrice, in visions of her own.

Redwallzyl at 00:13, 11 October 2022

2022-10-11T00:13:30Z

← Older revision		Revision as of 17:13, 10 October 2022
Line 1:		Line 1:
			{{Characterbox
			\|image=Madoka_manga.png
			\|gender= f
			\|age= ∞
			\|occupation= Godess
			}}

	The '''Law of Cycles''' (円環の理 ''Enkan no Kotowari'') is the rule that magical girls vanish when their Soul Gems turn completely black.		The '''Law of Cycles''' (円環の理 ''Enkan no Kotowari'') is the rule that magical girls vanish when their Soul Gems turn completely black.

Line 7:		Line 14:

	Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the new world, using visions granted via artifacts of her old life (such as [[the Ribbon]] and [[Clarisse van Rossum]] at full power) to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her at least thrice, in visions of her own.		Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the new world, using visions granted via artifacts of her old life (such as [[the Ribbon]] and [[Clarisse van Rossum]] at full power) to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her at least thrice, in visions of her own.

			==Gallery==
			<gallery widths="250px" heights="250px">
			file:Madoka_sayaka.jpg
			</gallery>

Julian Bradshaw at 02:51, 20 February 2017

2017-02-20T02:51:39Z

← Older revision		Revision as of 19:51, 19 February 2017
Line 6:		Line 6:
	In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[Akemi\|Akemi (Movie)]] biopic.		In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[Akemi\|Akemi (Movie)]] biopic.

	Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the ~~[[New World]]~~, using visions granted via artifacts of her old life (such as [[the Ribbon]] and [[Clarisse van Rossum]] at full power) to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her at least thrice, in visions of her own.		Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the new world, using visions granted via artifacts of her old life (such as [[the Ribbon]] and [[Clarisse van Rossum]] at full power) to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her at least thrice, in visions of her own.

131.252.212.174: once with the ribbon, once with Clarisse, once with the ribbon again.

2014-10-27T08:51:30Z

once with the ribbon, once with Clarisse, once with the ribbon again.

← Older revision		Revision as of 01:51, 27 October 2014
Line 6:		Line 6:
	In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[Akemi\|Akemi (Movie)]] biopic.		In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[Akemi\|Akemi (Movie)]] biopic.

	Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the [[New World]], using visions granted via artifacts of her old life (such as [[the Ribbon]] and [[Clarisse van Rossum]] at full power) to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her at least ~~twice (possibly~~ thrice), in visions of her own.		Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the [[New World]], using visions granted via artifacts of her old life (such as [[the Ribbon]] and [[Clarisse van Rossum]] at full power) to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her at least thrice, in visions of her own.

99.46.137.58: /* Story */

2014-01-05T18:21:08Z

Story

← Older revision		Revision as of 11:21, 5 January 2014
Line 6:		Line 6:
	In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[Akemi\|Akemi (Movie)]] biopic.		In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[Akemi\|Akemi (Movie)]] biopic.

	Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the [[New World]], using visions granted via [[the Ribbon]] to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her ~~once~~, in ~~a Ribbon vision~~ of her own.		Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the [[New World]], using visions granted via artifacts of her old life (such as [[the Ribbon]] and [[Clarisse van Rossum]] at full power) to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her at least twice (possibly thrice), in visions of her own.

Archivist at 03:58, 23 August 2013

2013-08-23T03:58:47Z

← Older revision		Revision as of 20:58, 22 August 2013
Line 4:		Line 4:

	==Story==		==Story==
	In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[Akemi\|Akemi (Movie)]] biopic~~, with vague allusions to the life Homura and Madoka had shared in the [[Old World]]~~.		In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[Akemi\|Akemi (Movie)]] biopic.

	Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the [[New World]], using visions granted via [[the Ribbon]] to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her once, in a Ribbon vision of her own.		Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the [[New World]], using visions granted via [[the Ribbon]] to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her once, in a Ribbon vision of her own.

99.46.137.58: Created page with "The '''Law of Cycles''' (円環の理 ''Enkan no Kotowari'') is the rule that magical girls vanish when their Soul Gems turn completely black. In addition to being a law gove..."

2013-08-23T03:53:48Z

Created page with "The '''Law of Cycles''' (円環の理 ''Enkan no Kotowari'') is the rule that magical girls vanish when their Soul Gems turn completely black. In addition to being a law gove..."

New page

The '''Law of Cycles''' (円環の理 ''Enkan no Kotowari'') is the rule that magical girls vanish when their Soul Gems turn completely black.

In addition to being a law governing the nature of magical girls, she is also a magical girl herself. The [[Cult of Hope]] reveres her as their '''Goddess'''. To her friends, she is known as '''Kaname Madoka''' (鹿目まどか ''Kaname Madoka''), and in a previous life, was the [http://wiki.puella-magi.net/Madoka_Kaname lead protagonist and title character of Puella Magi Madoka Magica].

==Story==
In [[To the Stars]], the earliest references to Madoka are in [[Kyouko]]'s mention of "the Goddess" in Chapter 1, followed by a fictionalized representation in the [[Akemi|Akemi (Movie)]] biopic, with vague allusions to the life Homura and Madoka had shared in the [[Old World]].

Soon, however, it becomes clear that Madoka is still taking an active hand in the affairs of the [[New World]], using visions granted via [[the Ribbon]] to give people advance warnings of preventable tragedies, among other things. [[Shizuki Ryouko]], our protagonist, has met her once, in a Ribbon vision of her own.